Posts Tagged ‘speedpaint’

It’s A Daily-Fives Mash-Up!

Friday, February 5th, 2010

Did something different yesterday. Decided to mash-up my “daily” piece with my old “fives” exercise. So, you get 5 pieces for the daily, but without the 5min restriction. All of the following were done strictly in ArtRage 3 Studio Pro, using just the fill, paint roller, palette knife, and eraser tools (the only exception being the sig with the ink pen). Past that, it was an exercise in layer work and manipulation. Not were started with any intended subject. Each piece can be clicked for the full-size version.


8 minutes.


15-17 minutes.


50 minutes.


20 minutes. Don’t really care for this one, but I think it’s as important to share the pieces that we don’t care for as it is to do so with the ones we do, on occasion.


25 minutes.

I’ll leave the commentary to you guys– having just aborted a piece of bad RAM from my system after troubleshooting why my computer was insta-crashing, my brain is fried. Trade off? Functional system, but I’ve gone from 2.5Gig to 1.5Gig of RAM. At least RAM is cheap… well, for a 5+yo motherboard, that is… LOL.

Now For The Long Post…

Wednesday, February 3rd, 2010

I started messing around with Alchemy back in October. Here are a little over a dozen pieces from my first stabs at working with it, with times ranging from 2-8 minutes a piece (most were under 4). All of the following can be clicked for much larger versions:

Just in those first few pieces, you can see where I’m starting get comfortable with it. Of those, everything was under 5 minutes. After that, I opted to work strictly in grayscale, rather than with color, to push the starkness more…

Obviously, I’m working with a lot of mirror mode here. Be forewarned– mirror mode isn’t exact, in that it will often do a stark color on one side, but a somewhat translucent reflection of it. At least, that’s been my experience with much of it. Then again, it forces some uniqueness to each side, which isn’t a bad thing.

If you haven’t figured out yet, I’m more comfortable with working entities than I am objects or scenery. I think that, when you’re learning something, sometimes the quickest way to get a starting grasp of it is to attempt to do the things you’re most comfortable with first.

At this point, I got comfortable enough to start working with asymmetry, and as such, I dropped the mirror. The following 3 pieces are more open-flow, with the intention of being quick thumbnailing:

None of these were drawn with starting intention. I didn’t go in saying, “hey, I’m going to draw this robot/person/whatever”. Rather, much like some of my speedpainting in ArtRage, I just let the shapes define themselves, and build upon what starts to form in my mind’s eye, so to speak.

For who are now curious to use it, you can find it here, and it’s FREE. This means you have no excuse not to at least download it and attempt to try it out.

Finally, watch the videos on the site. They’re a really good live demonstration of how to use the program, and also illustrate that the program is intended to foster creativity, starting drawings/ideas that can then be imported to other programs, not to create finished drawings.

First The Short Post…

Wednesday, February 3rd, 2010

Today’s Daily ArtRage exercise, roughly 35-40 minutes.

Speaking of ArtRage, here’s a thread I just found discussing how to use ArtRage 3 Studio Pro to recreate Photoshop Brushes to some extent, for those who might find that of interest.

Yesterday’s Daily

Thursday, January 28th, 2010

Yesterday’s daily piece:

Playing around with some new techniques in ArtRage 3. Roughly 2hrs. 5-6 minutes of touch ups in Photoshop CS4 afterwards (minor layer filtering, a bit of brush use for air contours and ambient cloud lighting).

What is it? I don’t know. Something mechanical, flying through the air. The rest is up to your imagination.

This Daily…

Saturday, December 5th, 2009

…Is being posted hot on the heels of the one from the day before.

ArtRage, then only slightly filtered in Photoshop, mostly for light and shadow.

Oh. Wait. I almost forgot. 15 minutes, total.

So begins Dark December…

Daily With Process Tutorial

Friday, December 4th, 2009

Recently I decided that I needed to do at least some minor daily art project for myself for the sake of my sanity. Something that’s completely independent of any work or project endeavors. After some of the conversation and feedback I’ve gotten in a thread elsewhere over the last few days, I decided that I would start today, doing something raw, with complete disclosure of the process. Here it is, staight and to the point, so that anyone can follow it step-by-step with a piece of theirs, if they choose. The changes are subtle in the latter 6 steps– I may swap the images out with larger, clickable, linked-image versions in the next day or so.

I started off in ArtRage on a 4"x6" 200ppi canvas:

1) 10min Grayscale speedpainting on first layer (not background). This was a mix of the roller, brush, and palette knife tools.
2) Duplicated original layer. Dropped original layer to 40% opacity. Turned duplicate into overlay layer.
3) Created layer under first layer to establish color underpainting, just roller and palette knife. Created layer on top of other layers to establish minor linework with brush.

Then I ported the painting to Photoshop.

4) Duplicated color underpainting layer (still below everything else). Ran it through the watercolor filter, shifted it to a multiply layer, and dropped it to 14% opacity.
5) Selected the whole image, copied it merged, and pasted it on top. Filtered with poster edges, and changed layer opacity to 42%.
6) Pasted same previously selected layer on top. Filtered it with paint daubs, changed layer opacity to 25%.

7) Pasted again. Filtered it with dark strokes, desaturated it, shifted to overlay layer, and dropped opacity to 20%. Erased selectively to start bringing more pop to the image.
8) Pasted again. Filtered it with accented edges. Dropped opacity to 46% Erased much more of the layer, selective, just leaving certain areas that I wanted highlighted.
9) Pasted again. Shifted to multiply layer at 46%. A bit more selective erasing to accentuate the depth.

Finish version:

(Click image for full size.)

Just under 2.5 hours, if that. 12 layers, counting the blank background and the signature layer.