Initially I planned on sitting on these a bit longer, but I think it’s going to be a bit before I do the final piece in the project. So, you’re getting a mix of dailies, fives fours, and process out of me with this post. All ArtRage 3 Studio Pro. Strictly roller, palette knife, and eraser, supplemented by layer duplication/manipulation.
First, I start of with something abstract, running a bit with the method/technique that I’ve used in the recent, mostly abstract pieces I’ve posted.
13 minutes.
I actually like where this is going (the dragon shape is damn near what you see here, less than a minute a couple dozen strokes into it), so it gets fleshed out a bit.
Next, I pop on some crude arms (didn’t like them for the above piece), and then place a lower-opacity copy of the whole image on top of itself, scaling it up and rotating it a bit. Once I hit the right opacity, I dropped it down into one layer, and started working with duplicate layers in varied opacities, blend modes, selective palette knife use, and selective erasing.
10 minutes (from the previous piece into this).
I like this. I know I’m not where I want to be with it yet, but it’s worth saving both as a step and as a potential rough for a more complete piece.
Now, In order to give it more perceived depth and detail, I create a separate piece.
7 minutes.
It’s fairly abstract, but has an industrial tech flair of sorts, and is dynamic enough that I think it will make for an interesting overlay with the previous piece. More layer duplication/manipulation occurs, and then I do exactly that. Finally, I have this:
4 minutes.
I have a pretty good idea of where I’m going with this, but I’m waiting to get my current batch of contract work done before tackling a finished piece out of it. Total process time from start until the end of the 4th piece? 34 minutes. Which brings us to the separate point to be made here– if you’re familiar enough and comfortable enough with the medium(s) you use, you can do exercises of a faster nature like this as well. The above shows that you can take something seemingly quick, abstract, and/or simple, and turn it into a building block for a larger, more complex piece.
