Posts Tagged ‘dailies’

Daily w/Process Progression

Saturday, December 5th, 2009

Here’s the full process post for yesterday’s intended daily practice piece, started shortly before midnight, worked on intermittently, and finished this afternoon. All images are clickable for much larger versions.

In this case, I wanted to try out a new trick that Rooth shared with me for pulling the linework out of of an image that had been brought from Manga Studio into Photoshop. I opted to do something a bit more cartoon-stylized, and didn’t want to fuck with the feet, so I just worked under the auspice that something would be in front of them.

1) Linework, via Manga Studio, cleaned up in Photoshop.

2) Ported to ArtRage, did a quick paint-in of the background (under 2 minutes, as it wasn’t important).

3) Did a quick, rough render of the foreground.

4) Painted in figure color underlayers.

5) Subtle figure color tweaking/cooling via various layer types and opacities, with selective erasing.

6) Painted in face. More color tweaking/cooling.

7) Dropped face opacity to bring in linework subtly from underneath, and to soften the face a bit. Painted in midground.

8) Added various quick details to the foreground. Fleshed out face and bodysuit interior.

9) Ported it back into Photoshop. Used a mix of filter, overlay-type, and varied opacity layers of the image to help push/pull the depth and detail, with selective erasing.

10) Rendered in figure shadow via varied opacity black layers and a little bit of varied opacity mulitply.

Finally, I brought in a copy of the post-filtered, pre-shadowed image at a 13% opacity over the top, to soften the shadowing a bit. Drew in some quick lights inside the headgear/helmet, tweaked the in-helmet lighting, and called it "done"

Roughly 5 hours. More than I intended, really. At the point that I finished it, I was a couple of hours past the time I’d planned on investing in it, so as far as I was concerned, I was done. Lighting/shadowing is nowhere near perfect, but for a practice piece, I’m good with it. Aside from the linework being done in Manga Studio, this is all raw ArtRage with Photoshop finishing. No photo aspects pulled for texture or anything else.

I need to do some minor cleanup on the ones from last week, and then I’ll post them. Later this week, you’ll get a post on a relatively unknown, free piece of open source graphic/art software.

Time to make the donuts.

Daily With Process Tutorial

Friday, December 4th, 2009

Recently I decided that I needed to do at least some minor daily art project for myself for the sake of my sanity. Something that’s completely independent of any work or project endeavors. After some of the conversation and feedback I’ve gotten in a thread elsewhere over the last few days, I decided that I would start today, doing something raw, with complete disclosure of the process. Here it is, staight and to the point, so that anyone can follow it step-by-step with a piece of theirs, if they choose. The changes are subtle in the latter 6 steps– I may swap the images out with larger, clickable, linked-image versions in the next day or so.

I started off in ArtRage on a 4"x6" 200ppi canvas:

1) 10min Grayscale speedpainting on first layer (not background). This was a mix of the roller, brush, and palette knife tools.
2) Duplicated original layer. Dropped original layer to 40% opacity. Turned duplicate into overlay layer.
3) Created layer under first layer to establish color underpainting, just roller and palette knife. Created layer on top of other layers to establish minor linework with brush.

Then I ported the painting to Photoshop.

4) Duplicated color underpainting layer (still below everything else). Ran it through the watercolor filter, shifted it to a multiply layer, and dropped it to 14% opacity.
5) Selected the whole image, copied it merged, and pasted it on top. Filtered with poster edges, and changed layer opacity to 42%.
6) Pasted same previously selected layer on top. Filtered it with paint daubs, changed layer opacity to 25%.

7) Pasted again. Filtered it with dark strokes, desaturated it, shifted to overlay layer, and dropped opacity to 20%. Erased selectively to start bringing more pop to the image.
8) Pasted again. Filtered it with accented edges. Dropped opacity to 46% Erased much more of the layer, selective, just leaving certain areas that I wanted highlighted.
9) Pasted again. Shifted to multiply layer at 46%. A bit more selective erasing to accentuate the depth.

Finish version:

(Click image for full size.)

Just under 2.5 hours, if that. 12 layers, counting the blank background and the signature layer.