Archive for the ‘Thoughts In The Madness…’ Category

Where The Wild Things Aren’t

Friday, June 4th, 2010

Untitled.

20-25 minute speedpainting, strictly ArtRage 3 Pro:

This is a great example of where I’m experimenting, and where I don’t like where the piece is. It’s also a very good example of when one has decided that they’re done fucking with something, and that they’re walking away from it.

With this piece, I’m going to take a few moments to give you insight to my mindset on it.

Overall, I just don’t care for the piece. I played with it a bit, messed around with some basic layer manipulation, a bit of distortion, etc. However, it just didn’t get to a point where I started to like it. That alone can often end up being the death knell for working on something, especially when it’s an artist working with their creativity. Some will overwork it and overwork it. Others will (often just half-heartedly) go through the motions, hoping that something will eventually come out of it. And then there are times like this one, where it’s just done.

Don’t get me wrong, the piece does have it’s strong points. It’s got a somewhat balanced aesthetic to it. The colors, in several spots, are very lush, and contrast with each other in a good way. There are some parts of the creature’s face that I like, but some of that is also where visual matrixing is filling in the blanks in my mind’s eye.

Am I completely done with it? Who knows. I might come back in a week, a month, a year, or whatnot, and decide to start noodling about with it again. Perhaps I’ll use it as a template for a new piece, or perhaps I’ll even integrate it into another piece via some form of blend layer. Only time will tell.

“REVENANT”

Thursday, June 3rd, 2010

55 minute speedpainting, strictly ArtRage 3 Pro:

“SEXY” (Or, “Wait, He’s Posting Again!”)

Wednesday, June 2nd, 2010

30 minute speedpainting, strictly ArtRage 3 Pro:

(Also using this as a test to see if it’s worth posting art to Flickr or not.)

Posting resumes with regularity now. Thanks for your patience. I promise it will have been worth your while.

3 Useful Twitter Tools

Thursday, April 15th, 2010

I’ve been thinking about posting this for a few days, and after talking to a friend earlier today, I decided it was as good of a time as any. No worries– I’ll still resume posting art in the near future.

That being said, here are 3 very useful tools that I’ve found for posting to Twitter…

1) Qwitter. There’s no registration, no password. You just give them a Twitter username to monitor, an email address to send results to, and it will email you anytime someone quits following that username. Included are who quit following, as well as the last tweet the username posted before said follower quit.

Not only is it a decent way to feel out what might drive certain people off, but it’s also a very good way to figure out what followers are automated services. Those usually leave within a day of following if you haven’t followed them back, and have a tendency to leave in batches if they’re with the same automated service.

On the less personal side, I suppose you could apply Qwitter to any Twitter account and have it mail you notifications, as opposed to your own.

2) Mr. Tweet. This is useful on a number of levels. It recommends people who follow you, but that you haven’t followed back, often noting which ones are influential. It recommends people who your friends follow, that it thinks you might be interested in, based on a mix of the amount of mutual followers as well as how often your friends have retweeted or conversed with them.

It also has a groups function. While I’ve not messed with it much yet, I’ve joined an artist group, and have received an invite from someone for another group (while a couple friends who got the same invite thought it may have been spam, the site itself hasn’t sent spam out). I would assume that, in part, this function probably operates as another derivative of Twitter ‘Lists’ function, but on a larger scale for each list. If someone knows, please feel free to let me know.

Finally, it tends to show a lot of statistics, both for yourself, as well as your followers, and those that it suggests.

While you do have to sign up for it, and give it access, it’s a useful app, and doesn’t post anything without you telling it to.

3) Intersect. This is, by far, my favorite. It’s an extension for the Chrome browser, and may be available for other browsers as well (I haven’t checked). The way it works is very simple– when you’re logged into Twitter via Chrome, anytime you go to someone else’s Twitter page, it tells you:

-Who among your friends are following them.
-Who both of you are mutually friended to.
-Who is mutually following both of you.

The is a really, really simple and yet powerful Twitter tool. You don’t have to give it any information, you just have to be logged into an account via Chrome (or any other browser it may be available for) in order for it to do what it does.

If this is useful, feel free to spread the word, and link this post. I get very little traffic here as of yet, despite the art posted, so I can always use more readers. ;)

In other news, the computer has been overhauled, and the majority of my time for the next week or so will be spent working on 25pc batch of art that I’m doing for Shanghai Vampocalypse. Maybe I’ll post some really old pen & ink work for you to browse in the next day or so.

-Sean

37.

Monday, March 29th, 2010

Dailies With Process February 7th

Thursday, February 11th, 2010

Initially I planned on sitting on these a bit longer, but I think it’s going to be a bit before I do the final piece in the project. So, you’re getting a mix of dailies, fives fours, and process out of me with this post. All ArtRage 3 Studio Pro. Strictly roller, palette knife, and eraser, supplemented by layer duplication/manipulation.

First, I start of with something abstract, running a bit with the method/technique that I’ve used in the recent, mostly abstract pieces I’ve posted.


13 minutes.

I actually like where this is going (the dragon shape is damn near what you see here, less than a minute a couple dozen strokes into it), so it gets fleshed out a bit.

Next, I pop on some crude arms (didn’t like them for the above piece), and then place a lower-opacity copy of the whole image on top of itself, scaling it up and rotating it a bit. Once I hit the right opacity, I dropped it down into one layer, and started working with duplicate layers in varied opacities, blend modes, selective palette knife use, and selective erasing.


10 minutes (from the previous piece into this).

I like this. I know I’m not where I want to be with it yet, but it’s worth saving both as a step and as a potential rough for a more complete piece.

Now, In order to give it more perceived depth and detail, I create a separate piece.


7 minutes.

It’s fairly abstract, but has an industrial tech flair of sorts, and is dynamic enough that I think it will make for an interesting overlay with the previous piece. More layer duplication/manipulation occurs, and then I do exactly that. Finally, I have this:


4 minutes.

I have a pretty good idea of where I’m going with this, but I’m waiting to get my current batch of contract work done before tackling a finished piece out of it. Total process time from start until the end of the 4th piece? 34 minutes. Which brings us to the separate point to be made here– if you’re familiar enough and comfortable enough with the medium(s) you use, you can do exercises of a faster nature like this as well. The above shows that you can take something seemingly quick, abstract, and/or simple, and turn it into a building block for a larger, more complex piece.

Daily-Fives From February 6

Sunday, February 7th, 2010

Yesterday’s daily experiments. Headspace a bit fucked then, less so today.

All strictly ArtRage 3. Roller, palette knife, and eraser tools. Layer play.


15min.


10min.


17min.


15min.


13min. There always seems to be a least favorite for me in these batches. This happens to be the one for this batch.

Another Daily-Five Mashup…

Saturday, February 6th, 2010

Another Daily/Five exercise, despite running at 60% normal system RAM (hooray video card RAM), and having regular ArtRage crashes when I do too much at once. All strictly ArtRage, all started without intentional subject matter.


45min.


1hr.


30min.


40min.


30ish min. No clue what the fuck this is. Don’t like it, but as stated previously, it’s good to show work we don’t like on occasion as well.

I’m having a not-so-stellar morning, so I’m keeping my words brief (you may all breathe a sigh of relief now).

It’s A Daily-Fives Mash-Up!

Friday, February 5th, 2010

Did something different yesterday. Decided to mash-up my “daily” piece with my old “fives” exercise. So, you get 5 pieces for the daily, but without the 5min restriction. All of the following were done strictly in ArtRage 3 Studio Pro, using just the fill, paint roller, palette knife, and eraser tools (the only exception being the sig with the ink pen). Past that, it was an exercise in layer work and manipulation. Not were started with any intended subject. Each piece can be clicked for the full-size version.


8 minutes.


15-17 minutes.


50 minutes.


20 minutes. Don’t really care for this one, but I think it’s as important to share the pieces that we don’t care for as it is to do so with the ones we do, on occasion.


25 minutes.

I’ll leave the commentary to you guys– having just aborted a piece of bad RAM from my system after troubleshooting why my computer was insta-crashing, my brain is fried. Trade off? Functional system, but I’ve gone from 2.5Gig to 1.5Gig of RAM. At least RAM is cheap… well, for a 5+yo motherboard, that is… LOL.

Now For The Long Post…

Wednesday, February 3rd, 2010

I started messing around with Alchemy back in October. Here are a little over a dozen pieces from my first stabs at working with it, with times ranging from 2-8 minutes a piece (most were under 4). All of the following can be clicked for much larger versions:

Just in those first few pieces, you can see where I’m starting get comfortable with it. Of those, everything was under 5 minutes. After that, I opted to work strictly in grayscale, rather than with color, to push the starkness more…

Obviously, I’m working with a lot of mirror mode here. Be forewarned– mirror mode isn’t exact, in that it will often do a stark color on one side, but a somewhat translucent reflection of it. At least, that’s been my experience with much of it. Then again, it forces some uniqueness to each side, which isn’t a bad thing.

If you haven’t figured out yet, I’m more comfortable with working entities than I am objects or scenery. I think that, when you’re learning something, sometimes the quickest way to get a starting grasp of it is to attempt to do the things you’re most comfortable with first.

At this point, I got comfortable enough to start working with asymmetry, and as such, I dropped the mirror. The following 3 pieces are more open-flow, with the intention of being quick thumbnailing:

None of these were drawn with starting intention. I didn’t go in saying, “hey, I’m going to draw this robot/person/whatever”. Rather, much like some of my speedpainting in ArtRage, I just let the shapes define themselves, and build upon what starts to form in my mind’s eye, so to speak.

For who are now curious to use it, you can find it here, and it’s FREE. This means you have no excuse not to at least download it and attempt to try it out.

Finally, watch the videos on the site. They’re a really good live demonstration of how to use the program, and also illustrate that the program is intended to foster creativity, starting drawings/ideas that can then be imported to other programs, not to create finished drawings.